21/06/2010
Press release
Decadence and Drama
2nd July – 11th July 2010,
Wed - Sun 12 - 5pm
Collector, Jan Mol welcomes you to his private home for the exhibition Decadence and Drama presenting works by seven artists; Nicolas Deshayes, Cornelius Dupré, Peles Empire, Nick Jeffrey, Ben Newton, Elisa Pône and Conrad Ventur.
The exhibition comprises site specific installation, painting, sculpture and video which allude to the building’s theatrical past and its current role as a domestic and contemporary art space.
Spectacles, stage sets and home interiors thread throughout the exhibition. Peles Empire (a collaborative project by Barbara Wolff and Katharina Stoever) hints at the irony of decadence through the duplication of architectural styles in the wallpapered reproduction of a room from the Romanian Peles; a historicism castle built in 1883. Cornelius Dupré’s suspended classical paper columns also intervene and reinterpret the grand interior of the building, while creating a new tableau in which to negotiate. Ben Newton’s disintegrating gold tiles and Elisa Pône’s film, depicting a confined and spectacular firework display, explore the ephemerality of their allure. Nicolas Deshayes references the aesthetic of design ambition with work depicting the minimal world of stylised television chef paraphernalia and homeware. Escapism and wonder comes in the form of an overabundant, painterly and sculptural oasis by Nick Jeffrey, while Conrad Ventur uses found footage to dramatically restage a performance by a famous songstress in the swimming pool room.
Mol’s Place was built in 1851 and is now a Grade II listed building with a history rich in artistic relevance, partly because of its original function as a scenic painter’s workshop for the Royal Opera House and theatres located around Covent Garden. In this exhibition, the building’s creative legacy becomes a multi-layered backdrop for the artists to create new sets for potential drama. The exhibition is a mis-en-scène where the artists are able to further explore the facade of domestic and interior design. At first glance artworks seem to verge on becoming additional rooms and design features of the house, but beneath decadent surfaces conflict is at play where eclectic styles clash to reveal fragility and distortion.
Note to editors
Mol’s Place, 23 Macklin Street, London WC2B 5NN
Opening Hours: 2nd – 11th
Tube: Holborn / Covent Garden July 2010, Wed - Sun 12 - 5pm (or by appointment)
Jan Mol is a London-based Dutch art collector. Mol’s Place is an occasional exhibition space: molsplace.blogspot.com/
Decadence and Drama is curated by Melissa Blanchflower, Pascaline Monier and Katy Orkisz
For further information, images or appointments please contact molsplace@hotmail.com or 07826 378297
Decadence and Drama
2nd July – 11th July 2010,
Wed - Sun 12 - 5pm
Collector, Jan Mol welcomes you to his private home for the exhibition Decadence and Drama presenting works by seven artists; Nicolas Deshayes, Cornelius Dupré, Peles Empire, Nick Jeffrey, Ben Newton, Elisa Pône and Conrad Ventur.
The exhibition comprises site specific installation, painting, sculpture and video which allude to the building’s theatrical past and its current role as a domestic and contemporary art space.
Spectacles, stage sets and home interiors thread throughout the exhibition. Peles Empire (a collaborative project by Barbara Wolff and Katharina Stoever) hints at the irony of decadence through the duplication of architectural styles in the wallpapered reproduction of a room from the Romanian Peles; a historicism castle built in 1883. Cornelius Dupré’s suspended classical paper columns also intervene and reinterpret the grand interior of the building, while creating a new tableau in which to negotiate. Ben Newton’s disintegrating gold tiles and Elisa Pône’s film, depicting a confined and spectacular firework display, explore the ephemerality of their allure. Nicolas Deshayes references the aesthetic of design ambition with work depicting the minimal world of stylised television chef paraphernalia and homeware. Escapism and wonder comes in the form of an overabundant, painterly and sculptural oasis by Nick Jeffrey, while Conrad Ventur uses found footage to dramatically restage a performance by a famous songstress in the swimming pool room.
Mol’s Place was built in 1851 and is now a Grade II listed building with a history rich in artistic relevance, partly because of its original function as a scenic painter’s workshop for the Royal Opera House and theatres located around Covent Garden. In this exhibition, the building’s creative legacy becomes a multi-layered backdrop for the artists to create new sets for potential drama. The exhibition is a mis-en-scène where the artists are able to further explore the facade of domestic and interior design. At first glance artworks seem to verge on becoming additional rooms and design features of the house, but beneath decadent surfaces conflict is at play where eclectic styles clash to reveal fragility and distortion.
Note to editors
Mol’s Place, 23 Macklin Street, London WC2B 5NN
Opening Hours: 2nd – 11th
Tube: Holborn / Covent Garden July 2010, Wed - Sun 12 - 5pm (or by appointment)
Jan Mol is a London-based Dutch art collector. Mol’s Place is an occasional exhibition space: molsplace.blogspot.com/
Decadence and Drama is curated by Melissa Blanchflower, Pascaline Monier and Katy Orkisz
For further information, images or appointments please contact molsplace@hotmail.com or 07826 378297
14/06/2010
Welcome to Mol's Place
Mol's Place is a private, non-profit and unique exhibition space in London which is opened to the public only a couple of times a year. Owned by Dutch collector Jan Mol, Mol's Place aims to support and provide a platform for emerging contemporary artists.
This blog is an active archive for the exhibitions curated at Mol's Place past, present and future.
above image from Fallen Out Of Space, October 2009.
Left to right: Michael Dean, the touched touch (working title), 2009 archival light jet print and untitled (analogue series), 2009, black cement and enamel paint, both works courtesy the artist and WORKS/PROJECTS, Bristol, Andy Holden, Cherry Picker, 2006, knitted cherries, wood, plaster, Perspex, private collection, London
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